Untitled (Wet memory) – acanthus patterns drawn with watercolour on a wall where rainwater gradually erased it – the respons was to remake or maintain it.
Over time this caused the pattern to enter a process of metamorphosis. Cycle of 12 times over 10 days.
sheet metal on metal frame – 200x200x17cm
Sheet metal, enamel paint, rivets on steel frame. 160x160x40cm
watercolor, mdf, mountingboard and sheet metal. 87.5×67.5x6cm each.
copper and sheet metal 86x34x14cm.
paper, sheet metal, beech and cherry wood – 61x95x15cm
Cherry wood and sheet metal – 136x51x39cm – 2019
cherry wood and sheet metal 145x32x52
beech wood, copper, foam and wool fabric – 279x85x56cm
sheet metal, rivets and watercolour in Heavy petal at Johanne Gallery in Frankfurt AM
A retro-fitted building, with marks of its various functions over decades. Like a fragmented character of a Samuel Beckett story. A fragmentet personality as a building structure, a fragmentet personality personality; a house for a house to live in. In its two iterations (2015 and 2016) spanned across painting, sculpture, installation, video, sound and five booklets.
This was a play, and a psyche to which all it thinks and feels is true, questioning the possibilities of existing. A relational challenge among versions of oneself.
The stage like sculptures where based on a sampling process, blending characteristics from within the original building in Malmö. The emerald green staircase rising up from the entry hall with marble tiles glued onto the plaster walls in order to convince clients of the now long abandoned dental clinic. The neon light and turquoise green staircase leading you down to the basement with soft cork covered walls, smokey lacker on dark wood, slanting walls and the deep hum from the boiler room.
The exhibitions were presented at Project Room 1 KHM and IAC Malmö.